13 Going on 30 reminds me of that late 80's early 90's body switcharoo craze that was running rampant in the movies at that time (see Vice Versa, Like Father, Like Son, and 18 Again). Of that entire one-joke genre, 13 Going on 30 is most reminiscent of my favorite film of the bunch, the magical Tom Hanks fantasy Big.
Young Jenna Rink only has two wishes in her life. One is to be popular (no matter what the cost) and the other is to be 30. On her thirteenth birthday, she gets the latter through the aid of a little magical dust (given to her by best pal Matt). Upon awaking the next morning, Jenna finds that she is thirty years old, and she can't remember the last seventeen years. Soon she
discovers that she works for a popular fashion magazine, and all the hopes she had for popularity during her youth have become a reality. But with that popularity comes a price. Nevertheless, she quickly finds her new life more than exciting.
It takes two things for a film of this nature to work - primarily a good bit of suspension of disbelief from the audience, and secondly, a strong, charismatic turn on the part of the lead player. The magical dust gimmick didn't bother me enough to matter - much like the arcade fortune-teller in Big, the dust is a simplistic way to initiate this film's easy to
digest plot. And Jennifer Garner (of Alias fame) bubbles over with the necessary charm. She's absolutely adorable and her ability to play up the innocence of this child trapped in a woman's body works in the context of the movie (although she never quite captures the purity of youth in the same way that Tom Hanks did in Big). But then, the screenplay here isn't on par with the Penny Marshall classic.
Still and all, Garner is a playful delight and 13 Going on 30 remains watchable as a result.
I also enjoyed Mark Ruffalo, although I never expected to see him in a movie like this. Usually, he's associated with indie fare (see You Can Count on Me), or edgier films (check him out in the amazing Eternal Sunshine of the Spotless Mind). Here, he's incredibly normal as the romantic lead, but it is this normalcy that makes the role work. It was also fun seeing Andy Serkis (Lord of the Rings' Gollum) playing a human being, and while there isn't anything particularly challenging about his part as Jenna's magazine editor, he's likable and energetic enough.
The screenplay is pretty straight forward. I really enjoyed the fashion in which Jenna becomes an adult. Rather than just becoming an adult (ala Tom Hanks in Big), or switching places with someone else (ala Rob Schneider and Rachel McAdams in The Hot Chick), Jenna just sort of skips seventeen years of her life and awakens as a sexy 30 year old. This makes for interesting complications because she has no memory of that missing seventeen years and
soon realizes maybe she wasn't a very nice person during that time period (a plot line similar to the one in Regarding Henry). But ultimately, 13 Going on 30 is a movie about second chances and being a better person, and in typical fluff fashion, 13 Going on 30 wears that theme proudly on it's sleeve. This is fine, however for all fluff isn't necessarily bad fluff. Much of the stuff I expected to dislike (including a dance number set to Michael Jackson's Thriller) actually made me smile, and even though a happy ending seemed all too inevitable, I bought it.
While much of 13 Going on 30 is a little obvious (the movie features a typically wicked and back-stabbing co-worker) I enjoyed it for the most part, which is quite amazing given that this gimmick has been done to death (we just saw a Freaky Friday remake last summer). It just goes to show you that an engaging performance can transform even the most trite and tired material.
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