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Brokeback Mountain (2005)

Brokeback Mountain
"Y'know I don't care what you call me when we're up here by ourselves, but when we're in town I wish you wouldn't call me buttercup."

Starring:

Heath Ledger
Jake Gyllenhaal
Michelle Williams
Anne Hathaway

Released By:

Focus Features

Released In:

2005

Rated:

R

Reviewed By:

Adam Mast

Grade:

A-


Brokeback Mountain is certainly a picture that will raise a few eyebrows, particularly if you're homophobic. But then, if you are, you probably wouldn't check this film out anyway. Perhaps you should. Even I was uncomfortable with a couple of scenes in this movie, and I'm not homophobic. As the film progressed though, Brokeback Mountain becomes something much deeper than a tragic tale of forbidden love.

Brokeback Mountain opens in 1963 Wyoming and tells the story of ranch hand Ennis Del Mar (Heath Ledger) and amateur bull rider Jack Twist (Jake Gyllenhaal), two cowboys who take a job herding sheep under harsh conditions in the grasslands of Brokeback Mountain. As the two pass their time, they become good friends. One incredibly cold evening, a shivering Ennis is invited into the confines of Jack's tent. There is no ulterior motive on Jack's part. He's simply doing right by his buddy. Then, during the course of the night, the unthinkable happens. On sheer impulse, Ennis and Jack engage in a sexual act. At first, they fight their confused urges, but ultimately, they are unable to hold back their raw emotions. The following morning, their uncomfortable silence leads to a discussion about what happened the night before. They tell one another that what they did was a mistake, but it's clear that the two have feelings that they aren't at all comfortable with.

Eventually, the sheep herding job comes to an end, and both men go their separate ways. Ennis ultimately stays in Wyoming and marries his long time sweetheart Alma (Michelle Williams), while Jack moves to Texas and falls for rodeo princess Lureen (Anne Hathaway). Both eventually have children, but all the while they're leading these separate lives, they continue to think of each other. Then, on a sunny day, Ennis receives a post card from Jack announcing that he's coming for a visit. Almost instantly, Ennis' somber demeanor turns to one of lively hopefulness. The two do re-connect again, and over the course of several years secretly meet. Jack has aspirations of staying with Ennis, but Ennis has a completely different opinion on the subject.

Brokeback Mountain is based on a short story by Shipping News author E. Annie Proulx and adapted for the screen by Lonesome Dove scribe Larry McMurtry (with an assist by Diana Ossana). The film plays as a contemporary western with an uncompromising twist. The relationship aspect of the picture is handled with true finesse by gifted director Ang Lee, a film maker who is diverse to say the least (check out Sense and Sensibility, The Ice Storm, or Crouching Tiger, Hidden Dragon).

I must admit, as I watched Brokeback Mountain, I felt uneasy by what I was about to see. But once "the scene" is finally out of the way, Brokeback Mountain becomes a thing of absolute beauty. This isn't a movie about sex. It works on a much deeper level than that. This is a story about two people who really care for each other in a world that won't accept their love. What's more, the relationships that Ennis and Jack lead aside from one another are equally interesting.

Each performance here is crafted with enormous care. Jake Gyllenhaal is outstanding as the boyish and determined Jack. He gets to a point in his life where he doesn't care what others think of him or his love towards Ennis. Between Brokeback Mountain and Jarhead, Gyllenhaal had a banner year. Michelle Williams simply breaks the heart as the simple and loving Alma. She knows of Ennis' affection for Jack, but holds her feelings in - either because she doesn't want to believe it or because she hopes that Ennis will outgrow it. It's really up to the audience to decide. Anne Hathaway sheds her Disney image (you may remember her from Princess Diaries) as the sassy Lureen. As is evident by her first encounter with Jack, she's the type of gal who, when she sees what she wants, simply goes for it. As great as these performances are, Brokeback Mountain really belongs to Heath Ledger. Where this turn came from, I'm not certain, but it is clearly one of the best performances of the year. His soft spoken Ennis has a lot of internal pain, and he only truly comes alive when he's with Jack. This is a sincere, heartfelt performance and one of conviction and enormous restraint. As a team, Ledger and Gyllenhaal deserve extra props for their uninhibited and courageous work..

I do have a few gripes with Brokeback Mountain. I never totally got sucked into the episodic nature of the film. I couldn't grasp that several years actually passed, and I could have done without Jake Gyllenhaal's dopey looking mustache. I mean seriously, it makes him look like the cowboy from the Village People. Keep in mind, that isn't a homophobic statement, it's just a stab at the make-up department.

Overall though, Brokeback Mountain is a beautiful film. It's simply stunning to look at (Rodrigo Prieto's cinematography is masterful) and I was extremely moved by the entire experience. As for the subject matter, I wasn't at all bothered by it. You don't have to accept or understand homosexuality to understand what this film is trying to say. As for myself, I have a simple philosophy about the lifestyle; I've never entirely understood it, but I've always accepted it, and perhaps that's how it should be, because it really isn't my lifestyle to understand. The bottom line is, who are we to tell someone else who they can or cannot love. In any event, Brokeback Mountain is simply a movie, and a darned good one at that.

:: zBoneman.com Reader Comments ::

Cowboy Up

Cowboy Up

What the hell is going on in this world?

Bubby Wonder

Bubby Wonder

I guess Brokeback Mountain will usher in a whole new genre of mainstream films - the "Dick Flick."

The Boneman

The Boneman

Overlooked in all of the kudos being lavished on Brokeback Mountain for it's tasteful portrayal of guy love, is the far more tender and touching scene in Wet Hot American Summer.

Marte Goodman

Marte Goodman

I certainly hope that this film recieves the awards that it deserves, if for no other reason than to get as many people to see it as possible. In a world filled with hate and hate crimes, a film like Brokeback might just do some good. Particularly when people realize that it isn't about homosexuality per se, it's about the pain of unrequited love. Which is a problem that all of us have dealt with in our lives. What a lovely film. The years best in my book.

The Queen

The Queen

I really do hope this picture is rewarded. The message transcends all pride and prejudice and in that sense is truly timeless. Quite honestly I'm surprised more hasn't been made of the fact that they all spent time with sheep. I'm sure some comedian with use it soon enough. Historically speaking, Brokeback Mountain is hardly groundbreaking there were at least two other films that pop to mind that treated the issue of gay love with varying degrees of effectiveness. First was the after school special-esque Making Love, with hell the guy from LA Law and the guy from Twin Peaks (pardon the memory lapse and I'm too tired to google it. A much better take on it was of course Kiss of the Spider Woman, with William Hurt and the late great Raul Julia. that one was probably the class of the bunch until now. Personally I'm just glad that the film is as good as it is, Being a fan of Annie Proulx I was completely pissed off at how badly they missed the point on THe Shipping News. I had such high hopes considering the cast, but it was almost as if Halstrom went from a condensed book on tape than the Pulitzer winning novel that I've read twice. The movie didn't even succedd in making anyone want to read the book and that's the greatest shame because it is such a masterpiece. Sorry for the rambler, let me end by asking your readers if they know where the source material for the movie can be found, it - if anyone knows where the short story appeared, if the movie is this good imagine how good the Proulx-prose must be. Oh and by the way I am gay, and for those of you who don't understand or just plain hate me because of it, I don't care, it really isn't a big deal to me. Think what you want, just don't hurt anybody because of it. We're doing just fine, and don't need anyone's pity, but when a film helps shed light on how it's possible for one human being to be in love with another irregardless of anything else - then a battle has been fought and won for us all. God Bless (the queen)

The Queen

The Queen

I just wanted to add, that I very much enjoy your website, it's nice and simple and to the point and I appreciate that. I also like the way you speak your minds and don't sensor very much of anything. For some reason that I can't understand, that's really quite rare. You'd think that the internet wouldn't be so provincial. I guess I could put that into the form of a question if anyone knows the answer? Anyway I appreciate it, whoever writes the captions for the movie stills is a hoot - he ought to be doing it for Entertainment Weekly, their's are never very funny and usually stupid. Keep up the good work all you zbonemen/and or women we love you. Ciao.

The Boneman

The Boneman

Sir Queen, I enjoyed your remarks and I think many of the questions you posed can be more than satisfied by clicking on to this link http://www.thejournalnews.com/apps/pbcs.dll/article?AID=/20051219/LIFESTYLE01/512190334/1031 it's a nice Q&A with Proulx that I'm certain you'll enjoy. As for your question regarding the provinciality of the internet, it has alot to do with google and some of the other search engines. They really dictate what happens on the net. Most websites like ours are interested in making money and to be successful you have to make sure that your site is google-friendly because making money has everything to do with how much traffic your site can generate and in that respect Google has the power to make or break you. As far as we're concerned we eventually hope to make more money than we make at present, but we've decided to do it on our own terms. Very soon we will be adding several new features to what we're doing now, that we hope will make our readers want to check in every day.. All this should be taking place within a couple of months - in the mean time thanks for your visits and your flattering words. Oh and by the way you were thinking of Harry Hamlin and Michael Ontkean.

Karen Westridge

Karen Westridge

I will be inconsolably bummed if heath Ledger isn't nominated for this film. He showed flashes of this type of internal ability in Monster's Ball, but he didtinguishes himself in a huge way in Brokeback - I'm also very interested in Cassanova, though it looks more like one of those bawdy brittish romps.

kim ducote

kim ducote

no movie review here. i'm just hoping to get in touch with adam mast. adam if your out there in cyber land email me so we can keep in touch.. later

kimmy

HHH

HHH

Is is just me or has Larry Miller just mad the biggest ass out of himself possible. What a meathead.

The other 49 states

The other 49 states

I heard Brokeback is getting banned in Utah, what is with those stupid Mromons? It's okay to have six wifes, but you can't see a nice little harmless love story where the people in love happen to be a couple cowboys.? Utah ought to be banned

Boneman

Boneman

Dude, I think I speak for most Utans when I say that you fags can keep your swishy asses outta our state. Just kidding, Brokeback is playing all over Utah and it's a great film, written by one of my very favorite authors. It just so happens that the Pat Robertson of Utah happens to have a lot of money and along with owning our Basketball Team he owns a bunch of theaters in Salt Lake, trust me - we're embarrassed about it too. Sorry about the misunderstanding and I'll pass along your regards to my wives.

Adam

Adam

Hi Kim,

How the hell are ya? I'm still packing up stuff in the store. If you swing by, I'll probably be in there. I'd throw my e-mail and phone number on this message for you but if I did that, I think I'd get way too much hate mail from readers of the site. Come by and say hi.

sirdizzy

sirdizzy

An epic love story, set against the sweeping landscapes of Wyoming and Texas, that tells the story of two young men--a ranch-hand and a rodeo cowboy--who meet in the summer of 1963 while driving cattle on a mountain range. They unexpectedly forge a lifelong connection, one whose complications, joys and tragedies provide a testament to the endurance and power of love.

This is one of those movies that is really hard to review because at some point you need to step back and be very objective and separate any issues you may have regarding homosexuality with the film you are seeing. The movie is interesting in that point that it does do what no one else has done and it writes a love story about two men rather than the traditional norm. My problem with the movie was never that it was about two men but rather that it uses it to mask the fact that there is little to no plot nor story the entire movie Everything you need to know about the movie is introduced in the first twenty or so odd minutes of the film and from that point on nothing happens. Neither character changes, no issues or conflicts are resolved and nothing new or interesting is introduced. Up until the very end Jake Gyllenhaal and Heath Ledger are the same characters and they never accept the reality that they are in. Did I hate the movie, no but neither was I that interested in it nor did I feel leaving the theatre that I saw anything that had changed me in the slightest way. I was cheering for Jake and Heath to get together, they did not need to change the world just each other and the worlds they lived in. The movie was mediocre and again this was masked by the fact that it tackled issues most people shy away from.

If there was one thing I loved about this movie it was the score. The score was moving and breath taking, the score got you more involved in the characters and the movie than either of the actors ever did. I think the score made the love real and helped do what neither actor could and that is to help you see the anguish of not being able to love whom you want to love. If anything that is the movie, the ability to love the ones we want to love and the ability to make such a reality possible. The score was composed by Gustavo Santaolalla whom I had never heard of before but simply put what he did was amazing. When the music of the film can make you see the emotion of the film and feel for the characters, I doubt there is any greater praise you can heap at that composers feet. I would say your almost better off buying the soundtrack than seeing the movie but then you wouldn't understand what Gustavo Santaolalla is trying to make you understand.

What you need to know about Jake Gyllenhaal and Heath Ledger's characters is introduced pretty early and since neither changes in the course of the film it is all you ever really get out of them. Jake Gyllenhaal is the aggressor he knows what he wants and he goes for it, it is his character that feels the most anguish because he can accept his reality and he can never make Ledger change his so that they can be happy. The best line of the film is "why can't I quit you," because it almost becomes the best thing that could happen for either character. Ledger sums up his character in one line "I ain't no queer," and since he can never truly accept he may be one and that he may be happier with Jake rather than going through the motions of being straight nothing is ever resolved. So with no changes to either character it's hard for me to say either did that good of a job acting, all I had to do is accept them as a couple and in love and I was done with both of them. The inexplicable thing for me is what the heck was in Heath Ledger's mouth the entire movie; it was as if he was a chipmunk storing walnuts in his cheek for the winter thereby making every line he uttered in the movie inaudible. Near the end I even stopped trying to decipher what he was saying and just listened to that beautiful score which said more about the movie than either actor ever did. Would I suggest the movie to you, maybe, it does introduce an idea that love does not see race nor creed nor sex but it doesn't it despite itself and despite the fact that the movie was mediocre.

2.5 stars out of 5

sirdizzy

sirdizzy

Ok maybe I was wrong, I can admit that right. I just saw a movie that makes me wish every single movie ever made was like Brokeback Mountain. I mean Brokeback had its flaws but it had its qualties too and it had a little story I guess. The movie I am refering to is Hostel and I am beyond words on how bad that movie truly is.

Movies should have a purpose it can be nearly anything as long as they know they are movies. A movie could be purely for entertainment ala the popcorn film. It could be the emotional love story that is overly sappy and chiched hence the chick flick. It can be political syriana need I say more. In the case of Brokeback maybes its educational for us to keep in mind love is blind and deaf for that matter. But when movies like Hostel come out that have no purpose other than to sicken and just simply go so far beyond what anyone else has ever done before. Why don't we stop take a step back and admit that we have seen everything we could ever possibly see and instead focus on what we want to see I'd rather see two me torutured and anguish over a love they can never share with the world then watch monsters true monsters kill and torture other human beings.

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