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The Blind Swordsman: Zatoichi (2004)

The Blind Swordsman: Zatoichi
Much better than a swift kick in the Crouch.

Starring:

Takeshi Kitano
Beat Takeshi
Tadanobu Asano
Michiyo Ogusu

Released In:

2004

Rated:

R

Reviewed By:

Adam Mast

Grade:

B


God bless Japan. No one can make a martial arts adventure quite like them. They have a flow and tone about them that very few American film makers have been able to duplicate. In Zatoichi, writer/director/actor Takeshi Kitano brings legendary Zatoichi back to the big screen (this character hadn't appeared in a film since 1989) in a vibrant, musical, blood-soaked ball of
cinematic fury.

Kitano is Zatoichi, a blind swordsman/warrior who finds himself engaged in battle when he enters a small town to find it run by ruthless villains. Now just because Zatoichi is blind, makes him no less a master of steel and he
proves his worth through numerous breathtaking sword fighting sequences which left me awestruck.

For those of you familiar with this character, I'm probably describing something that you're already well aware of. This legendary swordsman is all new to me and upon doing research, I discovered that many silly movies I saw years back were inspired by this character including that dopey Rutger Hauer movie Blind Fury.

The sword fights on display in this Zatoichi film are impressive even though several slice em' up dice em' up moments smacked of CGI. This hardly matters however, for Kitano's timing and kinetic pacing make most of the action here
more than worth it. I especially liked a sequence in which a fight ensues on a rocky creek edge. As victims fall to their deaths, their blood is washed down the rocks and into the water by the falling rain. While violent, there is also something very poetic about the fashion in which these action sequences are staged.

What's more, the unexpected musical numbers that pop up in this picture are extraordinary, particularly the show stopping finale.

Kitano's performance is a beautifully nuanced one. He comes across as unassuming, but the second he springs into action, I bought every minute of it. He's absolutely enthralling. Kitano is assisted by an outstanding technical crew that bring this colorful world to life, most notably his editor and cinematographer.

Zatoichi is the ultimate tale of good vs. evil, but more than anything it was just an enjoyable time at the movies.

:: zBoneman.com Reader Comments ::

Who Zat?

Who Zat?

Right up front you have to admit that the plot and dialogue in this newest incarnation of The Blind Swordsman is terribly weak. Still Zatoichi has enough going for it that it's never boring. The frequent low-brow humor is crowd-pleasing, the battle sequences have enough blood to make it impossible to look away from the screen, and there's even an unexpectedly poignant flashback -- the film's best moment -- to the geishas' tragic past. Toss in the big dance sequence that your reviewer alluded to and a charismatically low-key performance by Kitano, and you can at least appreciate why the film won the People's Choice Award at the Toronto International Film Festival in 2003 -- and why Quentin Tarantino is such a big fan of Kitano's films.

He's all Zat

He's all Zat

Zatoichi, the blind, gambling swordsman/masseur - is one of the greatest concept character in the history of this time-honored genre. Kitano's take on the famous swordsman is more like a Three Stooges feature, only with cross-dressing and a high blood budget. What's not to love?

Marshall Matters

Marshall Matters

Zatoichi has to be the biggest blood-fest to hit your local cineplex . . ever. Kitano writes and edits Mad Zat, but he also plays Zatoichi as a bleached-blond cipher. With a weird shuffling gait and amiably self-deprecating laugh, he erupts without warning into paroxysms of ruthless fury. With his eyes closed, head cocked to one side, he is like a rattlesnake who strikes on scent and sound. It would be interesting to learn exactly how much money they spent on fake blood or the actual amount in tonage.

Kitano seems like an odd choice for a martial-arts piece, his background is in stand-up comedy, which translates well in this film in the form of several deadpan lines that seem well-suited to this period bloodbath. The story is kind of facile involving a town that has been divided by warring crime lords, a gambler he befriends and a pair of geishas, who are not what they appear: It turns out the pair are seeking revenge on a clan of gangsters who slaughtered their family years ago.

. And in between the fight sequences there are some amazingly keen black comedy as well as a Vaudville style musical number. With absolute creative control of every aspect of the film Kitano manages to make this a thrillingly beautiful and intelligent piece of art

Auggie Surtida

Auggie Surtida

Great Remake ! I hope there is a sequel. What can I say ? It rocks !

pauline

pauline

Love is blind - and this is a beautiful film

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