The Forgotten is a thriller in the tradition of The Mothman Prophecies and X-Files in that it poses more questions than it's willing to answer. At the heart of the story is Telly Paretta (played by Julianne Moore), a grieving mother who's mourning the loss of her son who died fourteen months earlier.
Following the tragedy, Telly finds it nearly impossible to move on with her life. This takes a toll on her marriage and her own psychological well being. Things take a turn for the ultra bizarre when, one morning, Telly awakens to find that all traces of her son (i.e. pictures, video footage and clothes) have mysteriously vanished.
Things get even stranger when those around her (including her husband-played by Anthony Edwards) tell her she never had children. Is Telly losing her sanity or is there a sinister design behind it all?
The Forgotten opens as an exploration into pain, loss and the grieving process, but then it quickly takes a detour into The Twilight Zone. Director Joseph Ruben (who's made some really terrific genre films including Dreamscape and The Stepfather) has been quoted as saying he doesn't like the ambiguous nature of certain movies. Meaning, he had no interest in telling this story and not allowing the audience in on what the hell is happening. I don't want to give this movie's secrets away, so let me just say that the "who" (or "what") is perfectly clear but the "why" is rather vague.
Helping hold the movie together is the considerable acting talents of Julianne Moore. This solid actress sells the pain of this woman, and for a while, she even convinces us that perhaps the goings-on around her make some kind of sense. A great performance will only get you so far in a movie like this, however, and before long the gimmicky nature of the plot starts to unravel.
What starts off as a terrific mood piece, gradually becomes more and more silly as The Forgotten moves along. Ruben's direction is creative. He sets a gloomy tone (think The Ring), and the various aerial shots above the city looking down, give the distinct impression that all the characters in this movie are constantly being watched. Ruben also unloads some terrific scares including a couple of sequences in which rooftops are ripped from buildings.
There are some other surprises that I don't want to give away.Sadly, Moore's Telly is the only fully realized character. Dominic West is decent as a grieving father who joins forces with Moore to figure out what exactly is going on, but the rest of the characters in The Forgotten are...well...forgettable.
Anthony Edwards is a blank (he reminded me of one of those emotionless drones in Invasion of the Body Snatchers), while Gary Sinise's pyschatrist is just on board to mess with the audiences perception of what we're actually seeing. Alfre Woodard gets the biggest shaft of them all as a police officer trying to piece together a puzzle of a mystery. Her character is so stock and so completely void of "real" smarts that it's downright laughable. This amazing actress deserves better.
With an early dramatic core that resembles The Sixth Sense, The Forgotten quickly becomes something else. With elements of The Arrival and Total Recall, this marginally entertaining thriller ultimately bites off more than it can chew. The movie certainly benefits from Moore, but I think I would have preferred this to have been a pyschological drama than what it turns out to be. And what it is, I'm not about to reveal in this review. In fact I've forgotten it altogether . . . .
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