Troy is an epic on a major scale. As directed by Wolfgang Petersen (Das Boot, Air Force One), this massive production does deliver the big time battle sequences that the trailers showcase, but unfortunately, the mightiest fortress cannot stop the silly and melodramatic dialogue from leaking through the cracks.
Based in part on Homer's Iliad, Troy is the name of the city that would ultimately fall under attack by way of the famed Trojan Horse. The film is a sprawling epic featuring battles, romance and a stunning bout between legendary warriors' Achilles and Hector, two soldiers fighting for vastly different causes.
Wolfgang Petersen is a true showman and spares no expense re-creating some truly spectacular battle sequences. The richness and scope of the imagery on display in this film is as breathtaking as anything we've seen before. Thousands of boats at sea, huge fortresses falling under attack by legions of soldiers, and amazing one-on-one combat sequences, provide a kind of excitement that we rarely see in movies these days.
If only David Benioff's script matched the stunning visual power of this picture. Unfortunately, Troy (the movie) is defeated by it's own horribly stilted screenplay and underdeveloped love stories. I never really bought into the relationship between Paris and Helen. This relationship is historically painted as the chief motivation behind the Trojan War, but it doesn't translate in this adaptation as effectively as it should.
Troy doesn't have much of an emotional center either. Hector has some depth and Achilles has a moment toward the end of the picture where he appears to have a heart, but for the most part, this film is about politics, power and battle. Also missing is the presence of the Gods which were so prominent in pictures like Clash of the Titans. Here they are merely mentioned in passing, which certainly short-changes the mythical possibilities the script might have profited from.
The performances in Troy are to be commended, for it would be nearly impossible for most actors to utter some of this dialogue and keep a straight face. You have to hand it to this cast for doing a more than competent job with what they had to work with.
I had feared Brad Pitt would be too modern to pull-off the role of Achilles (a complaint that many had with Tom Cruise in The Last Samurai). Well, he does pull it off and, in fact is the perfect embodiment of the arrogant and unstoppable Achillies (a man who fights on his own terms). Pitt literally looks 3 dimensional with a physical performance that is LARGER THAN LIFE! Of course, it helps that Peterson knows how to shoot this amazing specimen of a man. Pitt beefed-up and quit smoking for this intense, physically demanding role, and the hard work has paid off. At the screening I attended, I could hear women purring with delight every time this Adonis appeared on screen, while the men in the audience were perfectly content to watch him rip his enemies apart.
Eric Bana keeps the film grounded in reality as the honorable family man Hector. While certainly tough, it is his vulnerable side that is most appealing. His big brawl with Brad Pitt is a stunner, and when this particular sequence came to a close, it was emotionally satisfying.
Brian Cox is outstanding as power hungry King Agamemnon. He excels here playing that kind of villain you really want to hiss at. And what a pleasure it was to see veteran Peter O'Toole up there on the screen. He's quiet and heartbreaking as the unassuming King of Troy. There is a beautiful scene between he and Pitt, and it is, perhaps, my favorite sequence in the picture.
Orlando Bloom doesn't fare as well as Paris. He is a fine actor but comes across as a mere pretty boy here, and I couldn't see the attraction between he and Helen. This weakens the film because it's essentially this circumstance that is the major premise that sets the whole chain of events into motion.
James Horner's music also hurts the film. It's not one of his better scores, which is quite surprising, because the composer usually excels when dealing with movies that feature huge battles (he scored Braveheart and Glory). Here, the music is far too intrusive, and Achilles' main theme is cheesy beyond belief.
Troy is a big spectacle, and it works on that level. It succeeds where the recent Alamo failed, in that Peterson is much more capable with battle sequences than John Lee Hancock. But in terms of relevance, I had a similar reaction to Troy. I really didn't find myself rooting for either side in this entire bloody war. It was really hard to find someone to root for. It's in this particular area that Ridley Scott's Gladiator got it right. Maximus was a hero worth siding with.
Troy is a visual stunner, there's no doubt about it. And for those going in to see Brad Pitt strut his stuff, you probably won't be disappointed. I only wish this Troy had a screenplay that measured up to it's visual splendor. This was a good movie, but I was hoping for greatness.
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