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in Good Company (2005)

in Good Company
Topher has trouble getting into character when Scarlett's stand-in fails to inspire him.

Starring:

Dennis Quaid
Topher Grace
Scarlett Johansson
David Paymer

Released By:

Universal Pictures

Released In:

2005

Rated:

PG-13

Reviewed By:

Adam Mast

Grade:

B-


In Good Company is a harmless romance/drama/comedy that benefits greatly from the chemistry and charisma of it's two lead players. I'm not referring to Topher Grace and Scarlett Johansson, but rather Topher Grace and Dennis Quaid. While they don't supply the romance aspect of the film (that would be a completely different movie altogether), they do play off one another beautifully, and it is their likability that elevates an otherwise conventional movie to a higher level.

Dennis Quaid is Dan Foreman, a veteran ads salesman for a prestigious sports magazine, who suddenly finds himself and the company he works for in danger of a major downsizing. Topher Grace is Carter Duryea, a new hot shot salesman who soon finds himself Dan's unlikely boss. Although Carter is only half Dan's age, the two have no choice but to get along. Outside of work, Carter finds his life in a bit of turmoil. He's not getting along with his wife of seven months and doesn't really have any family or friends to turn to, so he quickly begins to cling to Dan and his loving family, and before long, begins romancing Quaid's college bound daughter Alex (Scarlett Johanssen).

Not surprisingly, Carter and Alex decide to keep their relationship a secret, leading to the all-too-inevitable confrontation. In Good Company has a fair share of obvious moments to be sure, and the gist of the plot plays like a sitcom, but the cast is so darned likeable that, more often than not, I enjoyed myself.

Dennis Quaid is quite charming here if a tad mechanical, but he has some terrific moments - including a wildly funny stunt at a surprise party. Topher Grace is outstanding and possesses an incredible knack for comic timing (not surprising given his tenure at That's 70's Show). He displays a terrific balance of dry wit and high energy comedy, and in many ways, he reminds me of a young Tom Hanks (check out Nothing in Common and you'll see what I mean). Quaid and Grace work well together, particularly in the final act of the film when they really begin to feed off of each other's ad selling techniques.

Marge Helgenberger is great but underused as Quaid's wife. David Paymer is effective as a casualty of a the company downsizing. Scarlett Johanssen, I'm sorry to say, never quite gels. She's gorgeous and sweet, but I never really found myself buying in to the romance portion of the film, which is really more of the screenwriter's fault I suppose.

In Good Company was written and directed by American Pie scribe Paul Weitz (he also wrote and directed the superior About a Boy), and it certainly offered up moments I liked. I loved a confrontation between Dan and Globecom CEO Teddy K (Played by Malcolm McDowell) in the final act of the film, and appreciated that the end of In Good Company doesn't tie everything up in a pretty little bow (although they do go a little too far with Paymer's fate). And it's nice to see that Dan has a loving, nurturing life outside of work. Often in movies of this nature, the lead character has a life of dysfunction to go home to (as is the case with Carter). It was refreshing to see the opposite side of the coin.

Sadly though, there's plenty that doesn't work. The love story between Carter and Alex isn't nearly developed enough. Quite frankly, it almost feels unnecessary. I also could have done without the sort of heavy handed notion that old school business techniques are stronger than new techniques. Carter is the young hot shot and Dan is the dinosaur, and in In Good Company, what happens to both of these men by the end of the film, doesn't necessarily represent how things would go down in real life (a similar scenario in Ron Howard's Parenthood plays more honestly and effectively). But then this is the movies so I guess it isn't entirely fair to harp on such a thing.

I'm sort of in the middle of the road with In Good Company. The cast is strong and likeable, and the movie did make me laugh on several occasions, but there are moments when I felt it just didn't quite get there. This is a pleasant diversion but given the strength of the lead players, I hoped for a little bit more. A good movie but not a great one.

:: zBoneman.com Reader Comments ::

Grace

Grace

Topher Grace is a fresh new face, but the new Tom Hanks come on?

Adam

Adam

Grace,

I wrote "he reminds me of a young Tom Hanks". Quite obviosuly, it's far too early to tell if Topher will have that kind of longevity. I only made the comparison, to give readers a frame of reference. At any rate, it is Grace who elevates the movie, and I just wanted to given him props. Thanks for hitting the site.

Martha Brooks

Martha Brooks

In Good Company was a fun and mostly entertaining film, but as I watched it I became obsessed with Scarlett Johansson, At certain angles she is no doubt a classic beauty but at others she's almost homely. Is this just me or is anybody else picking up on this?

Pinky Willis

Pinky Willis

If I were Scarlett Johanson, I'd do a soft porn flick just so they could call it The Girl with the Pearl Neckless. I will say that it's good to see Topher Grace make it out of the shadows. He's going to be a huge career. I agree with your Tom Hanks analogy - I really think Topher will become one of our great comic actors.

Bill

Bill

First of all I think About A boy was one of the sweetest comedies I've ever seen, it was sad but never got sappy and sentimental. In Good Company isn't quite up to the Weiss' brothers standards but it's definitley better than the pie-fucking movies.

hiiii

hiiii

Hide and Seek boasts a roster of A-list acting talent, perhaps the two finest actors of their respective generations in DeNiro and Dakota Fanning and, if the trailers can be trusted, a promising evening of thrills and chills at the Bijou. As we begin DeNiro and his daughter Emily are beginning the recovery process after having lost their wife and/or mother to suicide. Moving away from New York, they hope to begin anew in a creepy isolated house, on the edge of some even creepier woods. DeNiro plays a Clinical Psychologist, and for her part, Fanning is perfect as the badly drawn girl, with the dark, bagged eyes that hide behind them the secret of the film.

Things soon take a turn for the weird when Emily mutilates her favorite bed-time doll and begins to speak of a new "imaginary" friend that goes by the name of Charlie. As Psychologists tend to do, DeNiro is concerned by this new character in his daughters life, but dismisses it as a normal part of the recovery process. As you may imagine, Charlie is anything but a healthy presence in the house, as bizarre things begin to occur.

Director John Polson (Swimfan), whose track record certainly doesn't suggest that he was ready to helm a project of this magnitude, gets the look right, but the film moves along at a sluggish pace and most of the cheap-scares that dot the first act are of the most banal sort, (cats and tea kettles, power-outages, you name it) all courtesy of the bag of psych/thriller cliches. The cast (Famke Janssen, Dylan Baker, Elisabeth Shue, Amy Irving) all acquit themselves as well as you would expect, but you can practically read along with the dialogue and the story never really engages the audience in any sort of novel or creative way. We've seen all this before, and done much better.

Of course, it all boils down to the big revelation as to who or what "Charlie" turns out to be - but any amateur sleuth worth his gum could see this one coming down the St. Lawrence Seaway. Once the identity has been let out of the bag, you're pretty much praying that the movie ends as fast as possible. The creators of Hide and Seek, offer two or three possible "Charlie" candidates hoping that may throw enough of a head-fake at the audience so as to surprise them. I'm going to rate this film according to how successful they were in this effort.

Scarlett Johanson

Scarlett Johanson

I think Scarlett Johanson is going to end up like Heather Graham, the IT girl for a few months and then get too overexposed, too many lame film choices and then straight to video - hello Hope Springs.

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